#TANSAN ASPECT IN MAYA GLYPHS HOW TO#
#TANSAN ASPECT IN MAYA GLYPHS PORTABLE#
#TANSAN ASPECT IN MAYA GLYPHS PLUS#

Written by the world’s leading authority in Maya studies, Michael D. Topics covered include the nature of the script, the intricate Maya calendar, dynastic and political texts, and every aspect of the natural and supernatural world in which they lived.

#TANSAN ASPECT IN MAYA GLYPHS PORTABLE#

Reading the Maya Glyphs is a compact, portable guide to enable students, tourists and armchair travellers to read and understand commonly encountered Classic Maya texts. Its very unfamiliarity to the general public, and the daunting aspect of its approximately 800 signs, have made the system appear more complex and arcane than it really is. The first to examine the piece could not decipher the text, while the second determined that the inscription refers to the birth of a Maya king in 603 CE-given that the glyph panel originates from the great Mayan city of Palenque-this may indicate it is referring to none other than Pakal the Great, a Mayan lord famous for his bold architectural development of Palenque and his mysterious tomb cover which some say resembles a space ship.In the recent past, a working knowledge of the Maya script has been confined to epigraphers, art historians and other specialists. Multiple experts have examined this piece to determine its significance. The white limestone glyph panel in this post was originally photographed in a horizontal orientation before it was determined that it was meant to be read vertically as is the case of the most common mode of Mayan writing. Hieroglyphs could also be written as single columns or in very rare instances from left to right as is the case in most Western writing. On stellae, the most common order for characters to be written were in paired columns, where rows are read in pairs from top to bottom before moving onto the next paired column. Script itself could also be written out in a multitude of ways.

#TANSAN ASPECT IN MAYA GLYPHS PLUS#

These are symbols that look visually like Mayan hieroglyphs but do not fall into any of the one thousand plus characters regularly used by the Maya and were not signs the same way standard glyphs are. Though many vessels use glyphs to identify their subjects, many more such as the above Bowers vessel are decorated with pseudo-glyphs. Pottery vessels seem to further confirm that it was the elite class, not artisans who were responsible for almost all writing. Given the small pool of individuals who could compose hieroglyphics and the amount of time that went into carving the large characters that appear on stellae, evidence indicates that it was scribes who likely drew out outlines of the hieroglyphs in advance. It is almost certainly the case that most peasants in Maya society were illiterate, but more so even than that it is highly likely that many of the stone carvers and potters could not read or write. Vessel with Waterbird and Fish, Late Classic Period (700-900)īowers Museum Foundation Acquisition Fund Purchase To make it more complex, often time the two types of hieroglyphics (logograms and syllabograms) would be paired in non-standardized ways. The equivalent in English would be if we had characters for syllables rather than individual letters whose combinations can make a variety of sounds. However, the same word could also be formed from phonetic hieroglyphics or syllabograms which when read together would sound out the word. Most common nouns had logograms for example, the logogram for jaguar was a disembodied and slightly abstracted jaguar head.

#TANSAN ASPECT IN MAYA GLYPHS HOW TO#

Due to the complexity of the hieroglyphics used by the Maya and the variable ways something might be written, it required grueling coursework to be able to learn how to properly express ideas. Both men and women were included in this group, and there was also a chief scribe or ak k’u hun responsible not only for recordkeeping but for many of the important events that might be subject to being recorded such as marriages and ceremonies. What we do know from signatures appearing on texts is that in Mayan culture there was an elite class of scribes-usually formed from aristocracy and in many cases even the king-who were the only individuals with the ability to write. Reading and writing within the Mayan context is an interesting subject, and certain aspects of it are still debated. Temple of the Inscriptions, Palenque, Mexico

Tansan aspect in maya glyphs